woensdag 20 mei 2009

Wheels within wheels

Wronski's prognometer - a mathematical oracle

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I read about Jozef Hoëné Wronski in the first issue of Les Cahiers de l'Institut (2008), a French magazine dedicated to my favourite subject, the Fous littéraires or litterary insanity - sometimes called kooks. It strikes me how in the drawing by Felix Valotton below he looks like Baudelaire!


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It seems Wronski (born Hoëné, 1778-1853) was and still is considered not only a respected metaphysician in Poland, but a respected mathematician, lawyer, physicist and inventor as well. Outside of Poland however generally he is considered completely bonkers. He joined general Kosciuszko in his fight for Polish independance in 1794. They were taken prisoner by the Russians who committed a massacre amongst the population of Warsaw. At age 22, after an early succesful but forced career in the Russian army he started to conceive the idea of a global philosophy. At 32 he moved to Paris and remained there until his death, writing exclusively in French, publishing over 100 books sometimes as Hoëné, sometimes under his nom de plume Wronski but usually as Hoëné Wronski (without a first name) and left even more manuscripts. He studied Kant but Jacob Boehme as well and was familiar with Gnostic and caballistic teachings. He took upon him to reform not only philosophy, but economics, law, psychology and music - in short, he wanted to offer a complete paradigm shift to human knowledge.

After joining the team of the astronomic observatory in Marseille in 1803 he developped a complex theory concerning the structure of the universe. He started to send letters to reputed scientists of his day, many of whom replied. The main base of his theory was of Pythagorean nature, seeing numbers as the essence of life, the universe and everything. He published his results, which were generally dismissed as total rubbish, yet some honorable scientists gave him favorable reviews. More and more he developped an arrogant, paranoid personality. From then on he wanted to apply philosophy to mathematics. In 1809 he made plans to develop a device to determine longitude at sea, but his address "'On the Longitude" to England's Board of Longitude was deemed too philosophical. The Board was unconvinced. Later on he tried to appeal to the Royal Society concerning the value his theories on hydrodynamics to no effect. Both attempts ended in vigorous arguments, one of his hallmarks. In 1812 he wrote "'Résolution générale des équations de tous degrés" claiming to show that every equation had an algebraic solution hereby contradicting Paolo Ruffini's proof (the latter is nowadays accepted). In 1818 Wronski started giving metaphysical lessons to Pierre Arson, a rather naive banker who wanted to learn "'the Absolute" which Wronski claimed to have discovered, as the "knowledge of truth reached through the human reason". At the end of the course, Wronski asked for a tantalous 200.000 francs. The banker refused to pay, Wronski went to the courts and lost. He was ruined but unimpressed. Strangely during the trials Arson was approached by a secret society. He never could make sense of their relationship with Wronski, but later on some thought they were either French Martinists or members of a Polish Saturnian lodge. In 1821 he developed the "Universal Hoëné-Wronski series" in mathematics. Actually after he brought forth his "highest law", giving a general rule to calculate a series of coefficients, these were officially renamed "Wronskians" in mathematics. Starting from 1822 he lost his remaining marbles, with attempts to build a perpetual motion machine, to square the circle and especially he started the construction of a machine to determine the future, which he named the Prognometer. In 1827 he published his "Canons de logarithmes", offering in six compact pages all the common logarithms structured in tables. This might be considered the first attempt at an universal calculator. From 1830 on he had started to imagine several steam-driven vehicles dubbed 'dromads' to compete with the railways which he hated. His Dynamogenic System allowed the engine to dispense with the use of rails. None of these engines were manufactured although at one point he could have become rich had he kept the rights on his railed prototype for the Messageries Générales de France. Somehow he considered it his duty to publish all technical specifications to the engine so the company had no need for him anymore. At the same time he started to consider himself an apostle of Messianism and wrote several books on the subject. In 1837 he introduced mysticism in politics, with his book "the secret politics of Napoleon as the starting point for a world morality". The last three years of Wronski's life were spent in total misery, putting all his remaining energy into initiating a young man named Alphonse-Louis Constant whom he introduced to the world of mathematics and the occult philosophy. Soon the young man would take the alias Eliphas Levi and would become one of the most famous caballists of the 19th century.

Wronski maintained that the goal of man was to become god-like and veiled his ideas under occult layers of mathematics. Because of the complexity of his writings, using mathematical expressions to develop metaphysical ideas, his thoughts often are very hard to understand. But as excentric as he might have been, Wronski never gave up searching and a few of his mathematical ideas are considered nowadays quite valuable. Another important theory of Wronski was that "man could create reality from the total of the impressions of his senses", which seems a very sane statement to this Maybe Logician. The following words are written on his grave (in French): The search of truth is a testimony to the possibility of finding it.


The Prognometer, an infinity probability drive?


Only one prognometer or prognoscope was built. Wronski trusted his secret only to Marquis Sarrazin de Momferrier, whose son-in-law claimed to be the last grandmaster of the Templars. It was bought long after Wronski's death in 1873 in a junk shop by his pupil Eliphas Lévi, who wrote that Wronski "dared to involve himself with inventions, he constructed mathematical machines, revolving axes which were put together in an admirable fashion. But his machines would not work because the copper and bronze of his devices won't acknowledge the truth of his philosophies... His most fevered and most kept investigation was the invention of a divinating machine, also called prognoscope, that calculated all probabilities and drafted equations of all occurrences that had happened in the past, happened now and would happen in the future, in order to establish all possible values." At the base of the prognometer was the desire to find a way to calculate all probabilties and as such, predict certain trends in the history of mankind. Levi: "Nobody saw the design of his machine, but he let the workmen construct the machine in bits and pieces, and being a bit of a mechanic, put the parts together himself". Actually Levi had believed the inventor had dismantled all his machines to sell their copper, and was extremely excited by his discovery. According to his description, it consisted of two metallic globes revolving around a cercle in which small boxes contained, hand-written by Wronski, the principles of all sciences. Structured according to their analogy, the mathematical representation of the same sciences is drawn on a larger, central sphere that can turn around on two axes. It looks a bit like a representation of a planet with two moons circling around it. On one of the smaller globes there's a pyramid (the divine knowledge), on the other a pyramid topped by a hexagram (the human knowledge), turning together but always opposed. Levi: "Man might tour the totality of sciences, he'll never meet god who is always hidden by the central globe, the thickness of all knowledge. At the same time god provides man with balance even in his largest errors".
The god-sphere could be opened and inside was written "All that must be has been, is and will be". Surrounding this globe were four letters in copper, A, B, X and Z, according to Levi equivalent of Yod, He, Vau and He, and two animated metallic arms showing "the proportion of what is above compared to what is below".


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The sphere of human knowledge showed the sign of Salomon on top of the pyramid. Towards the central sphere a pentagram is pointed "as a symbol of human autonomy".


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When Levi touched the large central globe, "the globe made out of bismuth opened itself and revealed on the inside another globe that was also covered with mathematical equations". Both could revolve both around the horizontal and the vertical axe. The central wheel showed all the astrological signs and was divided into 32 little boxes. On the outside of every little door was written the name of three sciences and inside the boxes were written the fundamental axiomas for each and every one them. A looking glass was needed to be able to read those. Still according to Levi, two sentences were written on the side of the circle: "All sciences are the degrees of a circle revolving on the same axe" and "The future is in the past, but not entirely into the present". The following drawing is by Levi:


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Levi died two years after his discovery. The above etching is the only original image of the Prognometer. No one knows what happened to the device.

In 1906 hermeticist Alexandre de Saint-Yves d'Alveydre (1842-1909), famous for being the first westerner to write about the realm of Agartha and to become the teacher of Papus, constructed his own version based on Wronski's design, the Archeometer. This one was even patented.


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In 1903 he had written a 500-page book " L'Archéometre, Clef De Toutes Les Religions et De Toutes Les Sciences De L'Antiquité" describing its functioning. On this disk were shown correspondences between numbers, letters, colors and musical notes, the signs of the zodiac and of the planets. Also included was the author's own metric system comparable to J.W. Keely's musical charts below, destined to reform sonometry.


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Sources


Biography


Piotr Pragacz, Notes on the life and work of Jozef Maria Hoene-Wronski

Le prognomètre de Wronski

Theos talk archives

Jean Prieur: "L'Europe des médiums et des initiés"

Hoëné Wronski: "Pétition aux deux chambres législatives de France sur la barbarie des chemins de fer et sur la réforme scientifique de la locomotion"

Three complete books by Wronski (in French) on the Internet Archive:

Hoëné Wronski: "Secret politique de Napoléon, comme base de l'avenir moral du monde"

Hoëné Wronski: "Philosophie absolue de l'histoire; ou, Genèse de l'humanité" Hoëné Wronski: "Nouveaux systèmes de machines à vapeur fondés sur la découverte des vraies lois des forces"

Arkologie fondamentale #19 (1999), pp 6-10

Paul Chacornac: "Eliphas Levi, Renovateur De L'Occultisme en France", 1926

Francesco Lamendola: "Wronski e il Messianismo"

Desiderio Valacco: "From Zarathustra to Ken Wilber. Lives and works of prominent mystical philosophers"



donderdag 7 mei 2009

Cats and curiosity

At my previous dwelling I had used plastic film to cover the windows from  curious passers-by. I had cut holes through to permit my five cats to look outside. The holes up front had the form of three huge cats,  at the side  they looked like books with cat eyes or paws and at the back I had cut out small spirals for myself to look outside.
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zaterdag 21 maart 2009

Discordian spread on 21st March

Discordian spread on 21st march 2009, 9.45 PM
Wholly molly. Gives me the jeepers.



1. Central Card: Right where I'm sitting now: Confusion
Mythical perception: The Mandalabyrinth. Indeed I have no clue whatsoever where my life is leading me, all I can do is walk on and on and see what happens after next corner.
2. Lower Left card: the way the world influences me: Chaos
Sensorial perception: A Pale horse. Blinded by the light. Is it fear is it happiness will I smile or will I be blue?
3. Upper left card: obstacles ahead: Discord
Psychical expression: The Architect. At first I had no clue, but now i realize I have already shot down the inner voice. Saturn is numb, which might be one of the interpretations of the creator of inner worlds.
4. Lower right card: The way I affect the world: Bureaucracy
Sensorial digestion: The Shaman. This is so fitting, I once compared the hunter-gatherers who throw rocks at the magnificent sabretooth tigress down in the valley and then ran back to 'their' caves with 'their' wives and 'their' kids. I compared them with the village shaman who goes down the valley and walks together alongside the stream with the fierce tigress, respecting each other's freedom.
5. Upper right card: Possible outcome: Aftermath
Psychical digestion: The World. Sky is the limit… it all start to fit like jigsaw pieces, all effects and causes and it all fits.
No need to try anything, for the first time everything just happens. I'm immensely grateful for my last visit to Chapel Perilous. Something came back this time. Synchronicity has become an organ.

It dawns all cards are from three higher levels in the 8-circuits of consciousness… soundtrack: 'The wonder of you' by department S. Sounds a bit like the soundtrack from Twin Peaks.

zondag 8 maart 2009

Discordian spread on 8th March

Yesterday I pulled cards from my personal neurotarot, which I designed during Antero Alli's Astrologik course at the Maybe Logic Academy. The complete set and the explanations can be freely downloaded in  Maybe Quarterly, issue 7.
Frightingly accurate right now.



1. Middle card: the present  situation. Confusion.
'The Queen of Wants' (Emotional expression)
I'm full of wanting and emotion right now. But hedonism gave birth to guilt. Will binds us to its object. Without the power of love will has no power.
2. Lower left card:  how the world influences me. Chaos.
'Bat Kol' (Spiritual perception)
The voice from before the big bang calls to return home. 'The best things in life are not things'. Back to my roots.
3.Upper left card: the obstacles ahead. Discord.
'The Chameleon' (Social expression)
I have lost myself in layers upon layers of masks. I have to cease to  adapt all the time, and just be myself and make the best out of it.
4. Lower right card: how I influence the world. Bureaucracy.
'The Wheel of Fortune' (Social digestion)
Causality. Everything I do has its consequences. Insight and humility is needed. Caution for every step all the way.
5. Upper right card: the possible outcome. Aftermath
'The Architect' (Psychic expression)
Metaprogramming. Ultimately, if I start from my will (and let love feed it), and return to my roots, and am able to lay off the masks, and take my decisions with caution, then I shall finally become the master of my own game.




zondag 15 februari 2009

Literary madness

This week I received the first two issues of the world's first magazine dedicated entirely to the literary mad or kooks, the "Cahiers de l'Institut" published by the IIREFL, the "Institut International de Recherches et d'Exploration sur les Fous Littéraires, hétéroclites, excentriques, irréguliers, outsiders, tapés, assimilés, sans oublier tous les autres".

France, the 19th century
This subject seems to have been a field of study France since the 19th century. Maybe because then paper became relatively cheap,  giving the opportunity to more people to publish a book on any subject.

The first two who wrote about it may also give a clue as to how we can recognize this peculiar category of writers.
Charles Nodier
(1780-1844) , a prolific writer on any subject, was one of the most prolific writers who ever lived. I have his short booklet
-"Bibliographie des fous. De quelques livres excentriques", Paris, 1835.
Republished recently by Les Editions des Cendres

"« J’entends ici par un livre excentrique un livre qui est fait hors de toutes les règles communes de la composition
et du style, et dont il est impossible ou très difficile de deviner le but, quand il est arrivé par hasard que l’auteur
eut un but en l’écrivant… J’entends ici par un livre excentrique un livre qui est fait hors de toutes les règles communes de la composition et du style, et dont il est impossible ou très difficile de deviner le but, quand il est arrivé par hasard que l’auteur eut un but en l’écrivant."

- He also wrote an essay on both Bonaventure des Périers & Cyrano de Bergerac in 1841*, two writers who very well fit our category.

While he wrote on the subject, he was himself the author of some very strange texts:
-"Critiques de l'imprimerie par le docteur Neophobus" reprinted in 1989

and especially
-"Histoire du roi de bohême et de ses sept châteaux" *

A story without story nor characters,  this text  from 1830 is a collection of caricatural abstractions and immaterial voices. The author played with the typography as well, deliberately adding errors and strange page breaks.

One of the first books where the engravings are placed where they seem to reinforce the text.

Octave Delepierre
(1804-1879)
this Belgian author (born in Bruges) wrote
" … Si nous avons souvent eu l’occasion de nous étonner de l’intelligence qui se rencontre dans les compositions des fous, il est peut-être plus étonnant encore de voir les folies qui sortent du cerveau d’écrivains intelligents et sensés. "
in his seminal
- "Histoire littéraire des Fous", 1860.*

-"Supercheries littéraires, pastiches", 1872 * (a book more concerned of hoaxes and literary forgeries but still of borderline interest for our subject).


Champfleury
(Jules Husson, 1821-1889)
published the large (380 pages)
- "Les Excentriques", 1852.*

Other authors
- Alfred Carel: "Histoire anecdotique des contemporains", 1885*

- Théophile Gautier (1811-1872): "Les Grotesques", 1853*

- Charles Monselet (1825-1888): "Les originaux du siecle dernier", 1864*

- From the same, "Les oubliés et les dédaignés",  1857*

- J.-M. Quérard: "Les supercheries littéraires dévoilées", 1869 *
cfr. Delepierre supra.
- Philomneste jr (Pierre Gustave Brunet): "Les fous littéraires -  essai bibliographique sur la littérature excentrique, les illuminés, visionnaires
", 1880* (republished in 2001)

- August Ivanovich Cherpakov: "Les Fous littéraires", 1883 *

United Kingdom and United States, 19th century
Charles MacKay
(1814-1889) wrote
- "Memoirs of popular delusions and the madness of the crowds"* in 1841. Not specifically about strange literature but here and there  references are found.

Isaac D'Israeli
(1766 -1848) wrote the extensive (3 vol.)
- "Curiosities of literature" (published in several volumes, starting from 1791)*, a collection of anecdotes about historical persons and events, unusual books, and the habits of book-collectors..

Other writers of interest
- John Fyvie: "Literary Eccentrics"*

- J.A. Farrer: "Literary forgeries", 1907*

- John Timbs: "English Eccentrics and Eccentricities", 1865*

- Anon: "Biographical sketches of eccentric characters", 1887*



France, 20th century
Bizarre
In the fifties, the magnificent magazine "Bizarre" published an entire  issue on this subject.
Sadly impossible to get…

But the real masters who studied literary madness were closely related to the Collège de 'Pataphysique.
Raymond Queneau
To me the most important French writer ever.  An erudite, mathematician, novelist, he participated from far to the first years of French surrealism but soon decided Breton was way too full of himself. He became one of the early members of the Collège when it was founded in 1948. Queneau collected strange books, and the result of his research was written down in the novel "Les enfants du Limon" (1938)

in which the writer Chambernac has become obsessed with litterary madmen, and decides to write a book on the subject.  His secretary Purpulan, in reality a demon from hell, watches his master slowly becoming insane. Or is he?

André Blavier
This librarian from Liège in Belgium wrote the ultimate book on this subject.
- "Les Fous littéraires", 1982

Collectors of strange books are used to specify if they're in the 'Blavier' or not. Hundreds of books are referenced here, showing an entire life dedicated to them. One of the books on my shelves I'm particularly proud to own. Blavier was an admirer of  Queneau. Lots of letters were exchanged between the two before this book was published.
I remember going to the presentation of the book in Brussels in 1982. I I was a student, had no car, and could only stay for about 15 minutes and then run to catch my train. But seeing André Blavier and Noël Arnaud in the distance, my first meeting with the Collège, was a big enough reward.

Netherlands, 20th century

Matthijs Van Boxsel started studying stupidity in the eighties. Three books of the "Encyclopedia of Stupidity"were published and he offered a real course in stupidity at the Rietveld Academy in Amsterdam. He gives very serious lectures on stupidity everywhere, often for doctors or managers. This site mentions 'the results can be sensed everywhere'.
I remember seeing him when he came to present his book 'Morosofie' (in Dutch) at an exhibit at the excellent Museum Dr. Ghuislain in Ghent, specialized in psychiatric and outsider art.
His books are translated in English and in French..
I have the three original Dutch editions, a beautiful lay-out and magnificent covers (one of them painted by his brother)..

Together with some Dutch writers Matthijs Van Boxsel founded  the Bâtafysica in 1972 or the dutch equivalent of the French Collège..

USA, 20th century
In the eighties Donna Kossy developped the Kooks museum, an online collection of kooks and nutcases. I once mailed to her writing about Queneau and Blavier and she wrote back she had never heard of them...
Now she sells weird books online through 'Book Happy'. Her catalog can be seen on Abe books. Her spouse Nenslo animates the 'Online Kooks Museum Collection of Collections', where one can also see what's on the shelves of the museum. Finally, Donna has a weblog, 'the cutthroat worl of scouting' where she writes about her new acquisitions.
Donna's book 'Kooks - a guide to the outer limits of human belief' is on my shelf!

A few sites are dedicated to some of the greatest weid writers in English literature.

(Robert) Lionel Fanthorpe
The fortean reverend, often published in Fortean Times, survived writing tons of pulp in the fifties, and his peculiar offbeat style is worth checking out. Often Badger books would send him the cover art, and from then he would write a novel..
a quote:
"The space in which they found themselves at present was a large open-looking chamber with a very high ceiling. It gave an impression of tragic grandeur which would have reminded Vir of old Vienna, except for the fact that he had never been there."

Harry Stephen Keeler
A writer reputed to be the Ed Wood of American novelists..
Example: A disgruntled phone company employee calls every man in Minneapolis, telling him the morning papers will name him as the secret husband of convicted murderess Jemimah Cobb, who runs a whorehouse specializing in women with physical abnormalities. (The Man With the Magic Eardrums, 1939)
There's a Harry Stephen Keeler society. And check out these pages at Ramblehouse.

See also, less funny, from a sceptic's POV:
Quackwatch
Pseudoscience


Today
Today, the excellent Alamblog is the main source for numerous studies and sometimes new discoveries,, together with Eric Poindrons Cabinet des curiosités (both in french). And now of course there's also the Institut, which doesn't seem to have a website.


Most contributors are members of the aforementioned Collège, and their research owes a lot to André Blavier.

Finally, I'd like to point out a book by architect Luigi Serafini, called "Codex Seraphinianus". Seems like a Voynich manuscript written while tripping on Peyote. Several editions can be found online, but I suppose nothing beats paper…



The books referred to with an * are available digitally on   Scribd or on the Internet Text Archive.


vrijdag 6 februari 2009

Immortal cucumbers

We might consider apoptosis as the essential ingredient to consciousness.
Programmed cell death, for which a death-gene has been designed (intelligently or not), if ever manipulated, might theoretically offer immortality. But at a cost: our memory system functions by cutting out some connections while keeping others. Just like the darkness inbetween the stars, the no-thing that was before the Big Bang, makes the stars possible.
This 'natural' selection of memories makes us individual sentient beings. Without apoptosis, all connections would remain live, switched on forever, causing us to remember every single event, evenly producing a grey field of noise. By cutting off the peaks of awareness, we'd become immortal cucumbers.
Derisanamcope, 21th November